Using Joseph Campbell’s Hero’s Journey and the notes on Greek Tragedy, you must write your Greek Tragedy play based on a modern day story, fairy tale, or invent your own according to Aristotle’s Elements for Tragedy:
Remember that you need a different mask for each character you play.
You MUST have a mask and a costume (be creative).
You must turn in the WRITTEN SCRIPT of your performance the day of your performance on Monday, May 16th.
- The tragedy must provide catharsis--or spiritual purge--that is attained when the audience feels pity and terror from what they see on stage. The plays inspire the audience to live better lives.
- The hero, who must be in a high social position (kings/gods), must possess a tragic flaw: something in his character or a failure in his judgment that brings disaster.
- There must be a change of fortune involving reversal (the character’s efforts boomerang) or discovery (the character moves from ignorance to knowledge).
- The plays must be written in the highest form of poetry.
- The plots must conform to the three unities of:
- Action: a series of closely related events.
- Time: action takes place within 24 hours
- Place: action takes place in only one location
- Besides containing the previous qualities, most of the tragedies followed a set form.
- A Prologue introduced the play
- The Parados was a song that brought on a chorus
- The Epeisodion (there were usually 5) was a passage of dialogue that alternated with a Stasimon--a song by the chorus (including the chorus moving left in a slow dance-like grace, and then back to the right) and the Exodus that took the chorus offstage and ended the play. A Stasimon (or stasima) is where the main action is developed.
In other words—the structure of your Greek fairy tale should be:
- A Prologue introducing your play. The prologue provides information about events that have occurred prior to the opening of the play.
- A Parados—the song that brings on your chorus. If there is no prologue then the Parados begins the play. This is where the proper mood is established.
- Dialogue #1
- Song #2
- Dialogue #3
- Song #4
- Dialogue #5
- Exodus –song that takes chorus offstage and ends the play
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